Website Theo Ubique Cabaret Theatre
THE DROWSY CHAPERONE
Book by Bob Martin and Don McKellar
Music & Lyrics by Lisa Lambert and Greg Morrison
Directed by L. Walter Stearns
Music Direction by Eugene Dizon
Please prepare a two-minute max video audition, including one song from the show or a song in a similar style and send via a viewable link (no video attachments accepted) in the body of your email to casting@theo-u.org. An electronic version of your headshot and resume must also be attached to your email. All those submitting must be available for callback dates of November 17 & 18, 2025 in the evening . The deadline for submissions is November 7, 2025.
About Theo Ubique Cabaret Theatre
At Theo Ubique, we are committed to fostering a creative environment that celebrates diversity, equity, and
inclusion—both onstage and off. Our casting philosophy is rooted in the belief that representation matters and that great storytelling flourishes when it reflects the rich variety of human experience. We welcome artists of all races, ethnicities, gender identities, sexual orientations, body types, abilities, ages, and backgrounds. We actively encourage performers from historically marginalized communities to audition and strive to remove barriers to access at every stage of the process. Our approach embraces non-traditional and identity-conscious casting, honoring the intentions of the piece while challenging outdated limitations. At Theo, we believe theater should mirror the world around us—vibrant, complex, and beautifully diverse.
Time Commitment:
Production Details
Rehearsals Begin: January 11, 2026
Schedule: Sunday–Thursday, 6:30 PM – 10:30 PM
Days Off: Fridays and Saturdays
Performances: March 6 – April 19, 2026
Showtimes: Thursdays–Saturdays at 7:30 PM & Sundays at 6:00 PM
Character Type/Restrictions:
Roles Available
MAN IN CHAIR
Male-presenting – Character Baritone (B♭2–E4)
A lonely, witty, and passionate musical theatre devotee who serves as the show’s narrator and emotional core.
From his apartment, he plays his favorite record, The Drowsy Chaperone, bringing it to vivid life. Must have
exceptional comic timing, warmth, and emotional depth. No formal dance, but expressive physicality required.
MRS. TOTTENDALE
Female-presenting – Soprano (G3–D5)
A delightfully eccentric, wealthy widow hosting the wedding at her estate. Endearing and scatterbrained, her
oblivious charm fuels much of the show’s chaos. Physical comedy and crisp timing are key. Light movement; no
formal dance.
UNDERLING
Male-presenting – Tenor (A♭2–G4)
Mrs. Tottendale’s prim, proper butler whose composure unravels with drink. Wry, dignified, and unexpectedly
funny. Requires sharp timing and physical comedy; some ballroom or stylized dance helpful.
ROBERT MARTIN
Male-presenting – Tenor (C3–A♭4)
The dashing, idealistic groom-to-be. A 1920s leading man with charm to spare. Must be a strong singer and athletic
dancer, with tap proficiency and comedic flair.
GEORGE
Male-presenting – Tenor (C3–B♭4)
Robert’s anxious best man and comic foil. A lovable bundle of nerves responsible for the wedding’s chaos. Must be
an excellent tap dancer and physical comedian.
FELDZIEG
Male-presenting – Baritone (D3–A4)
A fast-talking Broadway producer desperate to keep his star from leaving the stage. Neurotic, charmingly
exasperated, and deeply funny. Strong comedic instincts and rhythmic timing required; no formal dance.
KITTY
Female-presenting – Mezzo-Soprano (B♭3–F5)
Feldzieg’s bubbly, ambitious girlfriend who longs to be a star. A classic 1920s showgirl: flirty, confident, and
endearingly ditzy. Strong dancer and comic performer.
THE DROWSY CHAPERONE
Female-presenting – Alto/Mezzo-Soprano (F3–D5)
Janet’s glamorous, perpetually tipsy chaperone. A deliciously over-the-top diva who sings the powerhouse number
“As We Stumble Along.” Requires commanding presence, comic bravado, and rich vocal delivery.
ALDOLPHO
Male-presenting – Baritone (A♭2–G4)
A pompous, self-proclaimed Latin lover hired to seduce the bride—but hilariously targets the wrong woman. Needs
bold physicality, self-aware bravado, and sharp comic timing.
JANET VAN DE GRAAFF
Female-presenting – Soprano (G3–E♭6)
A dazzling Broadway star leaving fame behind for love. A confident, radiant triple threat who lights up every scene.
Must be an exceptional dancer (tap/jazz), dynamic singer, and expressive actor.
GANGSTERS (Disguised as Pastry Chefs)
Male-presenting (pair) – Tenor/Baritone (C3–G4)
Two bumbling mobsters posing as bakers. A vaudevillian comedy duo with impeccable rhythm and wit. Requires
strong physical comedy, coordination, and verbal timing.
TRIX (THE AVIATRIX)
Female-presenting – Alto/Mezzo-Belt (A3–E5)
A fearless, high-flying aviatrix who literally swoops in to save the day. Commanding, confident, and vocally
powerful. Minimal movement but must exude strength and charisma.
To apply for this job email your details to casting@theo-u.org